March 24, 2013

2013-1-19 Ancient Stones 12 750

Ancient Stones No. 12


“Ancient Stones” is a portfolio that I started last year when I visited Joshua Tree for the first time in 20 years. This trip  brought back many great memories because it was the site of one of my earliest dates with my wife Dyan. We camped amongst the boulders, sunned ourselves on the rocks and listened non-stop to U2’s “Joshua Tree” album. What wonderful times those were!

Ancient Stones No. 12 above is the latest image in the series and I love it! But why do I love it? Is it because it evokes wonderful memories or do I love it because it’s a good image? Evaluating your own work is very difficult, especially when it’s tied to to things like memories, praise and the opinions of others.

Recently I’ve been corresponding with several photographers on the topic of finding your own vision. I explain that one of the first steps I took was to divide my work into two piles; work that I REALLY loved and everything else. By isolating the work that I really loved, I would then try to understand what those images had in common and pursue that “vision.”

It sounds like a simple exercise, but it wasn’t for me. I actually had difficulty in separating what I thought about my work from what others thought. I noticed that if a lot of people liked one of my images, it started to affect how I felt about that image also. If one of my images won a competition, I took that as evidence that it must be a good image and that affected my opinion of it. I became so addicted to “positive feedback” that I began seeking it by producing work that I thought others would like, and in time I lost sight of what I loved.  

Upon realizing this, I committed that I would never again produce images simply because others liked them and I adopted a new policy: Never Ask Others About Your Work.

To isolate myself from other’s opinions I stopped asking my friends if they liked my work. I stopped asking my mentor what what she thought of my images. I no longer approached the experts to ask their opinions and I no longer attended portfolio reviews for input. I purposely removed the clutter of other voices and focused only on what I thought.

So what happened? I once again began to understand what I loved and focused only on that, which turned out to be a key ingredient to finding my vision. I became more confident in my work and I was certainly more satisfied. Now the measure of my work and success was internal rather than external.  

There was another important reason why I stopped asking others about my work; no one knows more about my vision than I do. Their advice, though generally good and well intentioned, was not coming from my point of view or vision. Increasingly I found that my vision and their advice was in conflict, and I realized that I had grown to the point where I was ready to decide for myself what my work needed.

Those of you who are familiar with my practice of “Photographic Celibacy” might recognize a reoccurring theme in my decision to “Never Ask Others About Your Work.” In both cases I am attempting to understand myself and my vision, and to pursue it without being influenced by others. In both cases I am isolating myself from the thoughts, opinions and images of others.  

This idea of never asking others about your work, was echoed and reinforced by one of my favorite books, The Fountainhead by Ayn Rand. The main character is Howard Roark, an architect who is an uncompromising individualist, who defines success by being true to self and creating work that he loves. His designs are unique and he rejects the traditional designs and opinions of the experts.

However his friend and fellow architect, Peter Keating, has an opposite view of  success: he seeks the approval and admiration of others.  In one of my favorite scenes, Peter asks Roark what he thinks of his latest design and this is Roark’s response:

“If you want my advice, Peter,” he said at last, “you’ve made a mistake already. By asking me, by asking anyone. Never ask people, not about your work. Don’t you know what you want? How can you stand it, not to know?”

There is strength and power in knowing what you want. Finding your vision and pursuing it is a wonderful feeling that gives conviction to your work. Like Photographic Celibacy, “Never Ask Others About Your Work” may seem to run contrary to common wisdom, but I have found it to be instrumental in helping me to know what I really love and keeping me focused on my vision.




May 19, 2012


April 9, 2011

Many of you know of my unusual and controversial practice of not looking at other photographers work (“Photographic Celibacy“)

Recently a friend wrote and asked if “my ears were burning” because Brooks Jensen had discussed this practice on his latest Podcast.  Brooks does not agree with this approach and offers another view, which you can listen to here.

I greatly like and respect Brooks; he’s an “old world” gentleman, a wonderful photographer and he publishes the most beautiful photographic art publication in the world.  So his opinion is worth considering!