Tag: equipment
March 25, 2016

From the New Camera News (http://newcameranews.com/2015/04/01/shocking-nikon-canon-to-end-camera-development/)

In a rare joint statement, industry giants Canon and Nikon have announced that both companies will cease all camera development, effective immediately. At a hastily arranged press conference both Nikon and Canon stressed that they are not getting out of the camera business per se, but rather will continue with their existing product lines for the foreseeable future “and quite possibly forever.”
When asked why the two companies were making such a radical decision, Canon said, “Hey listen, our current camera lineup is good enough. As a matter of fact, internal research has shown that our cameras are better and more capable than 99% of the people that own them. With data like this, the only logical thing to do is to stop improving our cameras until our owners become better photographers.”
“That’s so true!” Nikon interjected. “For years we have peddled this notion that the only thing keeping you from becoming a ‘professional’ photographer was access to the latest and greatest gear. ‘Buy this new camera!’, ‘Buy this new lens!’ we’d say in our advertising, ‘and you’ll take better photos immediately!’ Great food photos. Great puppy photos. Great photos of a perky young Japanese lady near a cherry blossom or by a water fountain or something quintessentially Japanese. But deep down inside we knew that you were just going to be the same crappy photographer you’ve always been but with more megapickles.” After reflecting for a moment, Nikon added, “It feels so good to say this. To finally get this off our prism.”
“You feel good?” Nikon asked Canon.
“Wow. Better than I’ve felt in decades.” Canon replied.
“You wanna go get a beer?”
“Sure.”
April 2, 2015

Pablo: Vinnie, how have you been? That’s a wonderful new piece you’ve created, what do you call it?
Vincent: I’m not sure, maybe “Big Moon in Sky” or something like that. My friend Don Mclean suggests I call it “Starry Night.” He wants to write a song about it!
Pablo: A question for you; what paint did you use on this? Is this the 3000 series?
Vincent: No! It’s the new 5000, I wouldn’t be caught dead using the 3000, have you seen the tonal range on those paints? Appalling!
Pablo: I agree, personally I wouldn’t ever purchase a painting if it used those paints.
Vincent: Agreed, what are those other painters thinking?
Pablo: This canvas is nice, what is it?
Vincent: It’s a new canvas, out of Germany and I like the texture on it but it’s still not exactly what I’m looking for. I’ve been searching and searching for the right canvas and I’m just not happy with anything yet.
Pablo: I know what you mean, hey, I’ve been noticing the perspective on this piece and it leads me to believe that you’re using a 54″ easel? Placing your canvas a little higher are you?
Vincent: Yes but not a 54, it’s a 57 and combined with those new Hartford stools (they have a great padded cushion) I sit so much higher and really like the feeling when I’m working. Plus, they adjust so easily.
Pablo: Wow, I’ll have to check those out, I think Al’s apothecary is carrying them.
Vincent: I heard a rumor that you’re trying some of those new camel hair brushes? Tell me it isn’t so Pablo!
Pablo: Where did you hear that? It’s true, but I’m not telling anyone. They are so much better than the cat hair brushes that I normally use. Have you tried them?
Vincent: I wouldn’t be caught dead with one of those, do you know what would happen people found out that I was using Camel hair! The scandal!
Pablo: I see you’re using those new frames from Friar Wilson, how do you like them?
Vincent: Pretty good, they’re a lot cheaper so my margins go way up. I need a little extra “ching” so that I can purchase that new satchel from Mary the Seamstress. Have you seen it, it matches my frock and is really nice for carrying around my supplies.
Pablo: Yes, those are nice, but not as nice as those wild colored ones made by the Maid Vivian!
Vincent: You’re nuts, those look horrible! You’ve a poor sense of color Pablo.
Pablo: Me??? You’re the one stuck in the past man, get with the times!
Vincent: Look at us, talking about paints, easels and brushes. Does any of this really matter? I mean, do you think photographers sit around and talk about equipment like this? I suspect not.
Pablo: Good point. Maybe there’s more to painting than equipment and tools?
Vincent: Perhaps it ought to be more about the art?
November 21, 2014


I’m often asked: what’s the best camera, lens or paper?
My answer is always the same: there is no “best.” Most cameras are excellent, almost all lenses are better than their masters and choosing a paper is simply about personal preference.
It’s easy to buy into the notion that the right equipment: camera, lens, accessories, plug-ins, printers or paper will transform our ordinary work into extraordinary images. However from my perspective great images are rarely great because they are technically perfect or printed on the right paper.
Or put more bluntly: I don’t think it really matters which equipment or paper you choose because they are not the critical component in a great image!
If you find yourself spending a lot of time researching the “best” (fill in the blank)…let me suggest another approach to improve your images.
Focus on the Image
Focus on your Vision
Focus on Composition
I believe a great image is created mostly from Vision and composition, and that technical skills plays a much smaller supporting role.

Where do you spend most of your time? Are you out of Balance?
But some will say: Can’t I seek both a great composition and technical perfection?
Yes, of course you can. But what I found in myself (and what I often see in others) was a tendency to spend the majority of my efforts on equipment, processes and technical issues, and very little time was spent working on my Vision or improving my composition.
I think the primary reason I did this was because I was insecure about my creative abilities, and I thought that I could compensate by excelling at the technical. And also let’s be honest, playing with equipment and learning new processes is just plain fun!
But Vision and composition is where the action is, and it’s how great images are created.
Cole

