Which Would You Choose?

What if you had two choices as a photographer: To imitate the style of others, have it sell well and achieve notoriety or Produce original work that you love, but it results in few sales and does not receive critical praise Which would you choose…and why? I think that how we answer this question reveals something… continue reading

A simple black and white image from Hana

Five New Images From Hawaii

My latest newsletter features five new images from Hawaii.   I also discuss the challenges of photographing while on vacation. You can sign up here:                  http://www.colethompsonphotography.com/newsletter/ Or view the newsletter here:      Newsletter with New Images from Hawaii Thanks! Cole  

Five Things Photography Has Given Me

Mary, 1971 – This is my friend from school, Mary Doyle, at Corona Del Mar in California. I created this image with one of my favorite cameras from my youth, a mini-Speed Graphic with a 220 roll back.    1. A wonderful childhood. Beginning at age 14 and for the next several years, photography became my life and… continue reading

black and white simplicity - Monolith No 27

Two New Short Video Tutorials on Long Exposures

Monolith No. 27 Here are two new short video tutorials that have been released by my friend Greg McKean over at Master Photo Workshops. These are a part of a larger comprehensive DVD tutorial we are putting together on how to shoot long exposures. Shooting a 30 Second Exposure with the Singh-Ray Vari-ND and Mor-Slo 5 Stop ND… continue reading

Simple black and white with a focal point - Minneapolis Power Lines

Why I Don’t Critique Other People’s Work

Minneapolis Power Lines People often ask me if I would look at their work and critique it. And while I would love to accommodate, I am uncomfortable critiquing another person’s work and here’s why: First, I’m unqualified.  All I know is what I like and what I don’t like, and that should be irrelevant to… continue reading

You Cannot Do B&W Work Like This With Digital!

I was exhibiting my “Ancient Stones” portfolio when someone approached. We both stood there looking at the images when he said: “You just cannot do b&w work like this with digital!”   I didn’t have the heart to tell him, but thought of this anecdote:  “A photographer went to a socialite party in New York. … continue reading

Harbinger: The Story Behind the Series

Harbinger No. 1 Several summers ago my son Jem and I were taking a road trip through the western states, it was meant to be both a photography trip as well as a father and son trip. We were in Utah and it was about 150 degrees (or so it felt) when I spied these… continue reading

Remove detail through a long exposure to simplify - Fluid Water No 45

Visualize versus Previsualize

I have been thinking about two words lately: visualize and previsualize.  What do they mean and how are they different? I’ve used both words to describe my creative process and yet I’m not really sure if I’m visualizing or previsualizing? So I looked them up in the dictionary: Visualize: form a mental image of; imagine. Previsualize: The… continue reading

Finding Vivian Maier

Harbinger No. 20 I’ve just watched the most extraordinary film entitled “Finding Vivian Maier.” The story begins with a man named John Maloof who purchases a box of negatives at an auction and becomes intrigued by the images and whoever created them. It is a detective story that reveals one of the most important street photographers… continue reading

How I Found My Vision

The Angel Gabriel Why do I focus on Vision so much? It’s because I believe that Vision is what makes an image great. It’s what makes the difference between a technically perfect image and one with feeling. It’s what makes your images unique. Great images do not come about because of equipment and processes, but… continue reading